:: Becoming a Photo Editor ::

Becoming a Photo Editor :: Written by A Photo Editor

A friends daughter dropped by the office for a little career advice a little while back. She recently graduated from college with a degree in the arts and is interested in becoming a photo editor.

(Okay, first off I find it fascinating that someone would choose photo editing as a career path. Aren’t we all failed photographers? Ha, ha, industry joke.)

She landed an internship at a magazine’s photography department which is the obvious first step and it sounds like a good job because they’re understaffed so she will have many duties not usually given to interns… unlike the boring shit I make our interns do: sending out tears, returning art and calling PR flacks for photos (editors idea).

Anyway, my whole point here is that I came up with a few tips for any aspiring photography editors out there:

1. Develop your eye for photography. Unless you were born with the golden eye you need to edit tons of photos because wading through all the crappy images to find the gems is what develops your eye for what makes a good image. It’s also helpful to track images from your edit to the final printed product so you can see which images make the final cut… unless, your editor and/or art director suck and then all the great images never make it on the page but that’s another story.

2.Keep a list of editorial photographers. You need to begin learning the names of all the great editorial photographers and try and keep track of the various shoots they’ve done over the years. This means visiting the newsstand and writing down the names of photographers who’s work you like. If the only photographers name you know is Annie Leibovitz, who by the way is under contract with Conde Nast, you’re up shit creek because you will never land her to shoot a 1/4 in the front of the book. I’ve tried. It ain’t pretty. The list of top editorial photographers is not long and you should know who many of them are.

3. Work on your institutional knowledge of photography. Being able to recall the photographers who shot Demi Moore in the last 5 years is valuable, not only if you need to find pickup images that aren’t in circulation but also to help inform how you will photograph her for the story you’re working on. Also, as an aside, editorial story meetings generally devolve at some point into a pissing match where people try to outdo each other with their knowledge of who wrote or shot this and who’s cool and what has appeared where… etc., etc. Rapid fire name dropping is a great skill to have (just don’t be that annoying guy who does it all the time).

4. Develop relationships with photographers. In the end, you will be hired to work at a magazine based on your relationships with great photographers. Not everyone can work at a glamorous magazine with massive budgets and movie stars to take pictures of and so you will need to develop relationships with photographers, especially when they are young and hungry, so that later on you can rely on them when you’re in a bind.

There’s more but by this time I think she was completely bored out of her mind. Oh well maybe she’ll try and become a photographer first.


- Info about the author -
A Photo Editor (APE) is Rob Haggart, the former Director of Photography for Men's Journal and Outside Magazine. http://www.aphotoeditor.com/

I love reading Rob's blog, it's a great resource for photographers, editors, magazine junkies, and anyone interested in the creative arena of photography. Hope you enjoyed!

The American Biker :: Documentary Series

The American Biker, there's just something about them.

Maybe it's the "i don't give a shit attitude" or maybe it's the adrenaline that pumps through your veins when blasting over the pavement at an extreme speed. I don't know but I like em, and I like to take pictures of them. Here's a few that I've pulled out of the secret vault to share with you, tell me how you love them.

Jesse








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